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Reflecting a wide variety of approaches to eighteenth-century

opera, this Companion brings together leading international experts

in the field to provide a valuable reference source. Viewing opera

as a complex and fascinating form of art and social ritual, rather

than reducing it simply to music and text analysis, individual

essays investigate aspects such as audiences, architecture of the

theaters, marketing, acting style, and the politics and strategy of

representing class and gender. Overall, the volume provides a

synthesis of well established knowledge, reflects recent research

on eighteenth-century opera, and stimulates further research. The

reader is encouraged to view opera as a cultural phenomenon that

can reveal aspects of our culture, both past and present.

Eighteenth-century opera is experiencing continuing critical and

popular success through innovative and provoking productions

world-wide, and this Companion will appeal to opera goers as well

as to students and teachers of this key topic.

List of music examples

List of illustrations and tables

Notes on contributors

Preface and acknowledgments

Chronology of eighteenth-century operas and select events

List of abbreviations xxii

Part I    The making of opera

  1  Opera as process

  Pierpaolo Polzonetti

  2  Aria as drama

  James Webster

  3  Ensembles and finales

  Caryl Clark

  4  Metastasio: the dramaturgy of eighteenth-century

heroic opera

  Francesco Cotticelli and Paologiovanni Maione

  5  Roles and acting

  Gianni Cicali

  6  Ballet

  Rebecca Harris-Warrick

  7  Orchestra and voice in eighteenth-century Italian

opera

  John Spitzer

  8  To look again (at Don Giovanni)

  Alessandra Campana

Part II   National styles and genres 153

  9  Genre and form in French opera

  David Charlton

  10   Genre and form in German opera

  Estelle Joubert

  11   Opera in eighteenth-century England: English

opera, masques, ballad operas

  Michael Burden

  12   Opera in Naples

  Anthony R. DelDonna

  13   Portugal and Brazil

  Manuel Carlos De Brito

  14   Opera, genre, and context in Spain and its

American colonies

Louise K. Stein and José Máximo Leza

Notes

Bibliography

Index

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书籍介绍

Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.